How Did you Clean Up Your Technique?

Using a metronome really helps. Slower settings increase precision, while faster help speed.

 

Step 1 - buy Tomo's Accelerate Your Guitar Playing DVD, and insert into DVD player.
Step 2 - pick your jaw up off the floor.
Step 3 - spend some quality time with your metronome

Seriously though, Tomo's DVD is awesome for the kind of thing your talking about. The man lives in the 'pocket', and the cleanliness and sheer groove in his playing is inspiring. The exercises and ideas presented can be applied to all kinds of styles, and I cant imagine anyone not getting some good ideas from it.

 

I know this probably won't be a good answer for you, but what helped me alot was when I bought a guitar synth(AXON)years ago, I was forced to really clean up my technique, and pay attention to all the bad stuff my fingers were doing on the fretboard to be able to play musical with the synth, there was lots of things I wasn't even aware of when playing the guitar, and those were confusing the **** out of the synth.
E.B.

 

I'm still new on The Gear Page. Could you share with me the link to Tomo's DVD, as well as how I can buy it?

 

Chords. Lots of alternate chords and positions forced me to bend my fingers to fit pertinent notes: muting included. Fingerpicking has never been my strength, but it sounds better the more I force myself to be particular rather than random, which necessitates slowing down and practicing patterns and eventually becoming automatic. I've heard "neurons that fire together wire together."

 

For me, recording my practices and listening back to them. My usual "that was an incredible solo" quickly turned into a "why can't I bend notes properly".

 

The most important thing you can do is practice correctly.

When you are playing a gig and you miss a note or a string rings out or you get off beat, or bend out of tune, adjust and continue & forget about the error.

When you practice, be aware of every sound you make and if you make a mistake, STOP!!!!

Fix the mistake and do it again. Do not practice mistakes. Do not slough it off. Do not be lazy.

If you hear a string ringing out, find it, damp it. Play the passage again and catch that string.

If you clam a note, go back, play the passage again & again & again with zero clams.

If you keep making mistakes in the passage, slow it down and find a tempo where you can do it perfectly.

As everyone has already pointed out, use a metronome.

Funny thing, the G on my tele rings out very easily, the A on my Les Paul often starts singing on its own. Classical gtr is a totally different technique. So not only does one have to practice technique but also adjust depending upon the instrument.

 

Sensei Tomo's stuff is here:

http://www.tomofujita.com/

Excellent help for exactly the issue you describe. The Accelerate DVD is what you want.

Also a big +1 to Lance's post above. Even I slow down every once in a while for practice. You would be amazed how much 2 weeks of extremely careful and precise playing improves your accuracy and tone even when letting loose.

Another +1 for tacorivers' advice to record yourself, even with just a crummy cassette player. What works and what doesn't work are totally different from what you think while playing. And all that string noise and clicks & clacks don't register with the player at the time.

 

Something I am going to do more of is practice extended arpeggios. For example, play a G7 arpeggio starting on the G at the fifth fret and run that up to the F at the sixth fret B string. Then from there move up the neck to the 12th fret and play the G on the G string and continue up the scale until you end up at the E string with the high G. This would create a two octave arpeggio which would cover the entire neck. Doing this kind of stuff without mistakes is a pain but you will really notice your weaknesses. You can do this with any arpeggio you just have to think it through before you start practicing.

 

Try playing along with something like a Chet Baker record, or Frank Sinatra singing. There is a whole world of subtle timing, dynamics, and phrasing that can be applied to just playing a melody.

 

Hey, y'all. I'm new on the board.

Here's my two cents on the matter:

Take the tempo of whatever you're practicing and slow it down until you can play it without making mistakes.

Good left and right hand muting technique makes a world of difference. So does picking technique. Exaggerated up and down strokes--when playing single note passages--can cause all sorts of problems.

Being relaxed helps too.

 

Agreed.

I don't do dorian, and mixolydian scales, because I firmly believe the major and minor pentatonics are where the music I play lives.

But no matter what you're doing, a metronome, or some other form of timekeeping, will help any player get better. When I had my back surgery (almost 10 years ago), I was not permitted to stand up with a guitar for three months. So I spent a lot of time in bed with my Tele and a tape off drum machine, kicked up a level in tempo about every five minutes. Granted it was just a straight 4, but playing those scales for 45 minutes at a time (and rewarding myself with little offshoots when I did well) really did a lot of me in terms of making my technique cleaner.

I'll never be a shredder (so I guess it's good don't want to be one) but I play cleaner and better becauuse of that woodshedding. I need to do more of that NOW, than I do.

It also works for slide guitar, which I play a lot of.

 

I always listen to something else... Like some saxophone, or vocal lines, then emulate the feel and groove of those lines. This helps me stay out of the typical "guitar" boxes and expands my ear.. Sometimes vocal melodies on guitar involve string skipping, and various other textures that can be difficult to master.

D

 

just learned this from a drummer...

Once you think you're doing well at a quick tempo on the metronome, record using medium that allows you to vary playback speed. Play it back at half tempo or slower.

... and then stop crying. Apprarently drummers do this to check how well they're locking into a click on very fast/complex rhythms.

I haven't tried it yet...very afraid...

 

Probably one of the very first technique books ever written for guitar (1962!) and still one of the best IMHO...

Guitar Technic by Roger Filliberto

Daily practice of this book at a moderate tempo (with a metronome!) will do wonders for your execution.

 

The most revealing method of finding timing issues that I discovered years ago is when I started using digital recording where you can see the wave form of your guitar against the wave form of the metronome. You learn where you need to tighten things up in a glaringly obvious way.