Ribar
Member
- Messages
- 260
So i have been going at this lick for few weeks now and i am just trying to get a feel on how to best pick this. I normal tend to alternate pick everything and prefer this style as its feels more comfortable to me, however now that i have been trying to play some of Malmsteen stuff its not always best or most efficient to alt pick everything, it just makes more sense to economy pick some stuff especially during string changes.
Here is the run when going from one string to next and i was just curious how does Malmsteen play this, does he alternate pick this or legato, not sure??
These are all 16th notes and also shows how i been picking this and practicing, is this the way to approach this lick??
p- pull off
D- down pick
U- up pick
-|-D--U-P---U----D--U--U--D----U--U--D--U----D--U--D--U
e|-13-12-10------12-10---------10------------------------|
B|----------13---------13-12------13-12-10---13-12-10-9--|
I am ok when i pick 16th notes on one string and feel like i got a good feel for them but when i try to switch the strings and use economy it breaks the flow however its more efficient on right hand. I know its probably no right/wrong way but just thinking how would Malmsteen play this?
Thanks for any advice.
Here is the run when going from one string to next and i was just curious how does Malmsteen play this, does he alternate pick this or legato, not sure??
These are all 16th notes and also shows how i been picking this and practicing, is this the way to approach this lick??
p- pull off
D- down pick
U- up pick
-|-D--U-P---U----D--U--U--D----U--U--D--U----D--U--D--U
e|-13-12-10------12-10---------10------------------------|
B|----------13---------13-12------13-12-10---13-12-10-9--|
I am ok when i pick 16th notes on one string and feel like i got a good feel for them but when i try to switch the strings and use economy it breaks the flow however its more efficient on right hand. I know its probably no right/wrong way but just thinking how would Malmsteen play this?
Thanks for any advice.