someone really needs to force Manfred Eicher to listen to the Dead's 'Europe '72' (or more to the point, Evans' 'Live At The Village Vanguard' recordings with like, what, the sound of maybe 100 hands clapping to the echoes of true piano trio genius and revolution?) so he might realize that a live recording can convey energy without 30 second, high-db applause fadeouts to beat listeners over the head with 'It's LIVE', and 'IT'S RILLY RILLY GREAT!'