Obviously, much of the magic is playing it with a stereo field.
Can someone chime in on how much is lost playing in mono?
I'm using mine in Mono ( I don't do stereo, never got it to translate at a gig without a lot of work ) into a Suhr Bella, or Chris Stapleton Princeton....
Not sure how they sum it to Mono, but I don't feel I'm losing anything other than the obvious stereo image.... The stereo to mono usage is like any other modern delay on the market I would gather...I believe they all sum to mono when used that way...
Lush, gorgeous delay's with lot's of tweakability. It's replacing a Walrus D1 on my main board ( which was also a stereo delay I used in Mono )....