Yeah though I did like it through my fender amps but not the vox stuff. Just from the memory of it I never actually used it in any patches until now but I've been pleasantly surprisedsounds good to me! I never bonded with an OCD on my old pedal board, always seemed harsh to me too, but I find I like the helix ocd to give an edge to some boosted tones. maybe they just modeled a good OCD and mine wasn't great, or perhaps it helps that we're already doing high cuts that we wouldn't have with an amp in the room...
Thanks, I appreciate it!I will stay tuned for that video!
Mentioned it before, but the tone quality and videos you make about them are great!
The line level is +4 and the instrument level is -10. You'll have your best tone if the Helix and your frfr are set the same.Is the "Line" level coming out of the Helix -10dBV or +4dBu? I think my frfr is set to -10 at the moment.
How well does that guitar balance? Can you play sitting down without a strap and does it stay on a guitar stand. I am always curious about odd shapes like that. I like the look of it but not sure about the ergonomics of it.
The line level is +4 and the instrument level is -10. You'll have your best tone if the Helix and your frfr are set the same.
Edit: generally you'd use instrument level for 4 cable method applications (as a replacement for a pedal board) and line level for straight to FOH. Again, generally, the Helix is so mutable for so many applications.
I hope others here find this as interesting as I did. Premier Guitar's latest Rig Rundown featuring Joe Bonamassa is chock full of insightful comments regarding how Joe blends his amp sounds and frequencies. Absolutely, a Multi Amp In The Room approach! The first half of the 52 minute video is all about Joe's current touring Fender and Gibson guitars. The second half is all about his amps, etc. Joe's theories and techniques are not about digital nor modeling, nonetheless are very useful common sense methods to getting great tones regardless of the form of the circuitry.
P.S. Mods, if this exceeds TGP's posting rules, please feel to delete the post.
I hope others here find this as interesting as I did. Premier Guitar's latest Rig Rundown featuring Joe Bonamassa is chock full of insightful comments regarding how Joe blends his amp sounds and frequencies. Absolutely, a Multi Amp In The Room approach! The first half of the 52 minute video is all about Joe's current touring Fender and Gibson guitars. The second half is all about his amps, etc. Joe's theories and techniques are not about digital nor modeling, nonetheless are very useful common sense methods to getting great tones regardless of the form of the circuitry.
P.S. Mods, if this exceeds TGP's posting rules, please feel to delete the post.
You're misreading the article. It's not about pro level or consumer level. It's all about the device. A $300 pedal would be considered a "pro-level" device. Pedals are instrument level devices (ie. In front of the amp or in the loop). I say again, line level is +4 and instrument level is -10According to the folks at Sweetwater in this article:
https://www.sweetwater.com/sweetcar...ic-instrument-line-and-speaker-level-signals/
"Line level signals are the highest level signals before amplification. This is the type of signal that typically flows through your recording system after the preamplifier stage and before the amplifier that powers your speakers. The two types of line levels are consumer and professional.
So according to Sweetwater both -10 and +4 are line level, just different types of line level. It would obviously be better to match it with the frfr..
- Consumer line level is rated around -10dBV and is what you’ll find in products like a CD player.
- Professional line level is rated around +4 dBu and can be found in equipment like mixing desks, preamplifiers, and signal processing equipment."
One don't need a hot humbucker to play 80's riffs when you got a Helix
Back in the early 80's I knew (and jammed drums once with) Jake E. Lee who was in a rival band "Teaser". Out of the blue one day he called me and asked if I wanted to play for a band called "Mickey Ratt". I said no because I had started running sound around San Diego.Loves me some Ratt!
Ahhh so close!Back in the early 80's I knew (and jammed drums once with) Jake E. Lee who was in a rival band "Teaser". Out of the blue one day he called me and asked if I wanted to play for a band called "Mickey Ratt". I said no because I had started running sound around San Diego.![]()
Joe is an awesome guy, an incredibly talented player, a guitar and amp historian and collector, and a massively successful business entrepreneur! Not everyone cares for his style, but if you've never seen him play live, you're missing one of the greats!
One day a little skinny kid I knew came to my house and watched me playing my Slingerland kit. Then he asked me if I would give him lessons. I told him "No man I don't want to @#%$ you up". Kid's name is Matt Cameron, Pearl Jam. It was easy back then.The early 80's was a trove of up-n-comers.
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Saw Joe about a month ago...5th row center at Humphrey's San Diego. Sonically outstanding. Tele and strat tones to die for. He only pulled out this one Les Paul.