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Martin electrics?

geek-mo

Silver Supporting Member
Messages
9,615
I had two GT-75s and an F-65. They were my main axes for a couple of decades. For hollow body guitars, they're pretty good. They weren't easy to play, though, as the bridge is intonated for a wound G-string.

I sold them and bought solid body Fenders and I don't miss them.
 

Rumble

Instrumental Rocker
Gold Supporting Member
Messages
2,504
I must be an outlier here because I think that guitar is gorgeous, easily as pretty as any other manufacturer’s thin hollow body.

Did Martin actually make these or outsource them?
They were built by Martin in PA. Virtually all the parts were from other companies, such as pickups (DeArmond-Rowe), Bigsby, Tuners (Kluson), pots (CTS). As to the design/body shape, they look like an evolution/copy of Maccaferri guitars, of which I believe Martin had some connection later on.
 

COYS

Member
Messages
5,313
Why does this thread keep appearing at the top of my "Home" page and how do I get rid of it?
 
Messages
1,066
I really like the look of those Martins! I actually have a guitar made by this nice feller named Bobby Nelson, that was a prototype of a guitar that he was looking to make, that used that same basic design. I think it is a real looker, and then I was surprised to see those Martins, where he obviously got the design from.

Here it is:

 

Rumble

Instrumental Rocker
Gold Supporting Member
Messages
2,504
Some years ago on one of the Gretsch forums, there was a guy with a MIJ copy of a Martin GT-75. He claimed it was a 1962, but I thought at the time it probably dated from the late 1960s. I think the brand was "Liberty", and it had a green finish.

Edit: low and behold, found a google pic

1598985741565.png
 

T681

Member
Messages
71
I sat in with a band one night and they handed me the solid body Martin. I liked it and always kept my eye out for one...never got one though. I thought they might be collectible eventually.
 

Artie Fisk

Member
Messages
1,549
Yeah, I've had a 1966 GT-75 since 1980. My first "vintage" guitar (or so I thought at the time). Put it on layaway, then got laid off from work. Almost starved to pay the damn thing off for several months with my unemployment checks! The DeArmonds on it are killer. I remember writing Martin to inquire about it, and got a reply from Mike Longworth (still have the letter). Come to think of it, in September, I will have had it for 40 years. Damn!

View media item 227105View media item 227104
Dream guitar for me!
 

Artie Fisk

Member
Messages
1,549
Well, considering that Sean Bonniwell played a Martin electric, it's fairly obvious that this is the most important thread on TGP.
I interviewed Bonniwell several times for a proposed 33 & 1/3 book on "Turn On The Music Machine" that ALMOST got published (long story), and he said that he had always hated the GT-75, and that they NEVER played the Vox instruments they later endorsed. he said that in the studio it was always Gibson, Guild, and Fender for the string instruments. I asked if the Martin was part of an endorsement deal, but didn't get a definitive answer. Then again, his memory was, let's say, "selective" sometimes, and when I interviewed Doug Rhodes, he suggested that Bonniwell was funny and engaging, but that I shouldn't believe everything he says because "he makes a LOT of stuff up."
 
Messages
2
I have a black '66 GT-75. It is the most sonically dynamic electric guitar I own in my opinion ('65 Rick 365, '72 Tele Thinline, '73 Guild S-100, '62 Silvertone Jupiter, 2019 Knaggs Kenai J), although the sustain could use some improvement--no center block as mentioned above. The guitar takes amazing to pedals, and has great tonal variety, which I think probably comes from the Dynasonics as much as the build quality. It does tend to feed back when stage volume gets to be too much, but nothing an old pair of socks stuffed into it can't fix.

Really the best thing about the guitar, however, is that one can play it unplugged when being nagged by their significant other for being too loud, and it still definitely has the feel, and even sort of the sound of a Martin.

Interesting that these guitars get so much shade thrown at them regarding looks. Obviously my bias has already been established...that said the best aestetic comment I recall about them (or at least the GT-75's in particular) was a comparison of its shoulders to a young Lauren Bacall's in an article in Guitar Player, which I have to agree with.
 

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vspflatcat

Member
Messages
5
My friend Jack Hardy had one. I played it once or twice and loved it, it was one of the semi-hollow ones, like a 335. Really nice sounding unplugged.

Skip Spence from Moby Grape played one, I think. I could swear there's a picture of him playing one on the back of the first Moby Grape record.
 




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