Muting techniques for plucking

Do you mean the ordinary bass guitar fingerstyle technique, of some kind of guitar style plucking on the bass?

If it is guitar style plucking, which I have done on 6-string bass to play in the style of classical guitar, then the same method applies to bass as to classical guitar. It is possible to use this technique on bass.

For ordinary bass fingerstyle using index and middle finger, I would say the following as a start (what I do, Iæm sure other possibilities exist): Use the left hand to mute the strings that are thinner than the one you are playing. Use the right hand thumb to mute the thicker strings that are not being played.

Btw, after a right hand finger hits the string to play a note, the finger will automatically continue and end up resting against the neighbouring string (thicker), thus keeping it from starting to vibrate. So it is not necessary to rest the right hand thumb on the E-string to mute it while playing the A-string. The alternating index and middle fingers will automatically mute it while playing. The thumb can rest on the top of the pickup if you like. When playing the D-string with the index and middle fingers, I would probably let the thumb rest on the E-string, or between the A and E strings. There are several good alternatives.

When playing staccato, hit the string with one finger, then mute it immediately afterwards, using the other finger that follows it when alternating between index and middle fingers. E.g. the index finger hits the string and the middle finger follows just after to mute it again. Then alternate, of course.

I don't know of any websites, but I'm sure there must be several. Did I understand the question?

Torquil

 

How about this video?:

http://www.youtube.com/watch?v=QXex7XLsde0

 

The other old Motown trick was to place a small block of high density foam
right at the bridge with just enough pressure to dampen the strings.

 

Yes that is at least how I do it. When I want to play e.g. a series of staccato notes or only every other eighth note on the same string. I'm thinking of stuff like the beginning of "Another on bites the dust" by Queen, where the muting is important to create the correct "groove".

I let the right-hand finger that will play the next note rest upon the string, and subsequently pluck the string from that position. I.e. don't lift the finger up again before plucking, but just pluck the string directly while already touching the string.

If that was the e.g. index finger, then the middle finger is next to mute the same string, and rest on the string until plucking it. That technique would mute the string and thereby create the rests in the music.

This should enable the player to do both staccato notes, or insert any amount of rest in between notes on the same string.

EDIT: Actually, another thing that is also common to do is to use the left hand to stop the string between each note. For me, the right hand muting works best in most situations, but some may disagree. Btw, both can be used at the same time. And in some situations it is necessary to mute with the left hand, e.g. if the next note is on a completely different string, so there is no middle/index finger to follow the one that already struck the note, because that finger is on its way to a different string

- Torquil

 

Here are some more ideas (some of them quite obvious of course). You have to judge if they are relevant or not

Maybe check if he pushes the string into the frets while plucking, like I believe Steve Harris of Iron Maiden does this intentionally to get his metallic string noises. Either use less finger pressure, or raise the strings, to eliminate it.

I also play classical guitar, and sometimes I want my nails to be a bit longer on my right hand. When I play bass with too long nails I get a lot of unwanted treble noises while playing. To eliminate it I really have to cut my nails very short.

If the player doesn't use enough force with the left hand that could lead to noises as well.

Or maybe there is a problem with the bass guitar, e.g. uneven frets?

Sorry I don't know anything about Dusty Hills technique on the song.

- Torquil

 

Hey Rob-

Here's a thread I did about muting a while ago:

http://www.thegearpage.net/board/showthread.php?t=335302&highlight=mute

Since then, I've gotten a little bit better about cutting the foam so it doesn't look quite as unwieldy.

The foam, despite common sense, really changes the tone, it adds a different percussiveness, it adds overtones. On my Jazz, I have to roll the tone all the way down, add some bottom and pull out more highs.

I've been using a foam mute on the T-Bird for quite some time:







Years ago I got into a heated discussion with someone on TB about how you should learn to mute using your palm for fingerstyle and pick style if applicable. My theory is that if the tone you're trying to approximate was recorded with a bass with a foam mute, use a foam mute- rather than changing your entire technique to use an effect.


I'm going to be heading up to the WB this weekend- let me know if you want me to chop up a piece of wristpad for you- I can drop it off I'm guessing Sunday...

 

I would actually like to try something similar on my electric guitar. I was playing with a long sleeved sweater, and noticed the pleasing sitar-like sound when the sleeve contacted the strings. Some guitars come/came equipped with a adjustable bridge damper.

I just thought of something: does it make single notes sound like they are out of tune with themselves at all if you listen particularly closely to the high frequency content? Imagine that the distance between nodes for the fundamental mode of the string is approximately unaffected (nut to bridge), but is slightly decreased for the highest modes that are strong enough to hear (nut to foam, approximately), because those modes would be more affected by the foam. The effective string length for the higher modes would be a bit shorter, and somewhat "fuzzy", so maybe some "out of tune" effects could be noticeable.

Of course, this might note even be noticeable.

- Torquil