This is the final update of the mini rig, next to the rack rig I have:
- '81 Fender Silverface Champ
- Korg Pitchblack
- 70ies MXR Script Logo Dyna Comp (modded: true bypass, white LED, PSU input)
- Analog Man Ibanez TS-808 Tube Screamer (Silver Mod)
- Catalinbread Dirty Little Secret V1 [18V]
- BOSS FZ-2 Hyper Fuzz
- 80ies EHX Deluxe Memory Man (modded: true bypass)
- Line 6 Echo Park
- Loop-Master 1-Loop : (tape delay (Roland RE-501 Chorus Echo is pictured) / etc.)
- Burkey Flatliner SIX (power supply)
- Pedaltrain Mini (board)
I'm loving this. It has all the basis covered and thanks to the RE-501, I have reverb and chorus as well, next to the great delays.
Thanks! And why the Echo Park? Well, I, personally, think it's still the best bang for the back regarding delays in a small stompbox format. It has internal tap tempo, which saves some room and the analog and tape delay modes are actually really nice. The algorithms are completely different from the DL-4 and M9/M13 series. The tape delay mode even has random warble (actually quite random) and the longer it repeats, the grimier it gets. It actually ads saturation to the repeats. It's one of the most faithful tube tape delay sounds I've found in a stompbox, next to the DMM and the Strymon El Capistan.That is a real nice setup. Why did you choose the Echo Park? Not saying its bad, just curious given so many options out there and I love your taste in gear.
I wonder if you could put the Flatliner on its side and stack your Loopmaster sideways on top of it.
I wish the Mini was 4" longer too.
So why not just stepping up to a Jr. and having adequate room for pedals? I get the allure of a super efficient mini, but live it's hard to tap dance with that much precision - for me at least.