Tim Bowen
Member
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- 3,481
I don't think there's any question that a Turbo Tuner is more accurate than a BOSS TU-2 or TU-3. This thread isn't about accuracy or tracking, it regards the audible 'pop' that occurs when the pedal is engaged.
For those that gig the Turbo, do you just live with the pop or have you found some way to work around it?
Where in your chain do you place it? Is it quieter as engaged, in one area of your chain vs. another? Do you find that other true bypass or buffered items within your chain, and their position with relation to the Turbo, affect the actual volume of the pop?
Do you use something else within your chain as a mute instead of the Turbo?
I understand that true bypass switches can have an audible pop, but - at least within my rig - I found the Turbo's pop to be excessive. At the show I took it to, I defaulted to a Snark clip-on tuner as the pop was just too distracting.
Does anyone feel like I do, in that a kill switch in the live performance setting absolutely has to be dead silent? Like with a BOSS switch? Has anyone abandoned the Turbo for live use for this very reason?
For the record, I ran my Turbo first in line, and powered it via its own isolated output on a Voodoo Lab Pedal Power 2.
Lest anyone thinks that I have any interest in dragging the Turbo Tuner through the mud, please be assured that my questions here are quite sincere. I still own the Turbo Tuner, and I will place it on the board when I go to sessions. I'd just like to find out if there's any possibility of ever using it live again.
Thanks.
For those that gig the Turbo, do you just live with the pop or have you found some way to work around it?
Where in your chain do you place it? Is it quieter as engaged, in one area of your chain vs. another? Do you find that other true bypass or buffered items within your chain, and their position with relation to the Turbo, affect the actual volume of the pop?
Do you use something else within your chain as a mute instead of the Turbo?
I understand that true bypass switches can have an audible pop, but - at least within my rig - I found the Turbo's pop to be excessive. At the show I took it to, I defaulted to a Snark clip-on tuner as the pop was just too distracting.
Does anyone feel like I do, in that a kill switch in the live performance setting absolutely has to be dead silent? Like with a BOSS switch? Has anyone abandoned the Turbo for live use for this very reason?
For the record, I ran my Turbo first in line, and powered it via its own isolated output on a Voodoo Lab Pedal Power 2.
Lest anyone thinks that I have any interest in dragging the Turbo Tuner through the mud, please be assured that my questions here are quite sincere. I still own the Turbo Tuner, and I will place it on the board when I go to sessions. I'd just like to find out if there's any possibility of ever using it live again.
Thanks.