I love threads like this because I know precious little about tubes and their respective circuits.
But I've rolled tubes in the past, heard some great differences, heard zero differences, and only twice in my life (um, I'm old) ever heard genuinely bad tubes (they rattled with higher volume), and only once had a power tube fail (fortunately during a rehearsal, and I did have a spare 6L6, yesss!).
All this to say I've gone the "ocd" route, NOS game, etc, LOL! And the wheel has come full circle and have now come to the simplest conclusion: don't obsess! Gear should be in the ballpark, plain and simple. The rest is up to me ...well, and the band if I've got one. So I still have my spares, but have long been done with obsessing over this or that tube.
I'll catch flak for this, but will say it: maybe ol' Randall Smith and other fixed-bias guys have a valid point: get it right at the onset, establish a workable range, and leave the rest of it to you and where you set your knobs!
Edward
But I've rolled tubes in the past, heard some great differences, heard zero differences, and only twice in my life (um, I'm old) ever heard genuinely bad tubes (they rattled with higher volume), and only once had a power tube fail (fortunately during a rehearsal, and I did have a spare 6L6, yesss!).
All this to say I've gone the "ocd" route, NOS game, etc, LOL! And the wheel has come full circle and have now come to the simplest conclusion: don't obsess! Gear should be in the ballpark, plain and simple. The rest is up to me ...well, and the band if I've got one. So I still have my spares, but have long been done with obsessing over this or that tube.
I'll catch flak for this, but will say it: maybe ol' Randall Smith and other fixed-bias guys have a valid point: get it right at the onset, establish a workable range, and leave the rest of it to you and where you set your knobs!
Edward