For chassis and pots, I use a 40 watt Weller, and if that doesn't work (which is rare), my wife's 100watt (she uses for stained glass!).I had to borrow an old ladies soldering iron she uses for her stained-glass projects AND use my soldering iron simultaneously for a LONG time to generate enough heat to get anything done.
You guys are using something more effective, right? Perhaps a BLOW TORCH!
I had to borrow an old ladies soldering iron she uses for her stained-glass projects AND use my soldering iron simultaneously for a LONG time to generate enough heat to get anything done.
You guys are using something more effective, right? Perhaps a BLOW TORCH!
Pick up one of these for pennies at a garage/estate sale:
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and take the Bernzomatic to it. Everything will cave to its mass.
But then, I bolt to chassis for ground.
I have a marsh/mojo chassis that in some places takes solder ok and other the solder just wont flow (even if I scratch up the metal). The solder stays in a little ball on the surface of the metal and after if has cooled you can pick it off with your fingernail.
Well, my first headache came from trying to remove the can-cap from a SF Champ. There are four tabs bent out, and two of 'em are soldered on to the chassis.Why the need to solder to the chassis in the first place? maybe i'm missing something, but i've built a few amps and i just use a bolt to ground to chassis. A nice big bolt and TWO nuts, one to tighten it down good and hard, then a second to lock the bolt in place. WWIII wouldn't loosen it in a million years, and you of course put a few of those solder tabs on it before the nuts and you have places to add ground wires easily. I'm not sure why you would want to solder to the chassis instead, but if it's for noise purposes it shouldn't be any better. the amps i built are quieter than the marshalls i've owned and they have even higher gain preamps. But again, maybe i'm missing something so if i am i'd be interested to hear.