MothAttack
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The B string can be a PITA as far as tuning and intonation goes. EVH used to tune it flat where you could play a 7th fret-position E barre chord and it would be in tune. This would mean having to compensate by slightly bending it up when playing an open D chord.
How many in TGP land do the same? I’m debating starting to tune that way but I’m wondering how hard it’ll be to adjust to after 40-plus years of even tempered tuning. Would I clash with my keyboard player?
EVH's tuning (I've just learned from a TDPRI thread) was more complicated than tuning the B flat. Pretty cool actually.
(Weber) “I figured, ‘Ed’s got a hell of a left hand.’ I’m going to have to set the intonation flat enough so that when he grabs the neck, the notes are right.”
The move worked. But Weber wasn’t done. He thought about Van Halen’s classical training and his guitar playing style.
“When you strike a guitar to tune it, the note starts out sharp, then it settles into pitch,” Weber said. “Ed Van Halen is not going to stay in one place long enough for the note to settle into pitch.
“He’s also a classically trained pianist, so the strings open on the guitar don’t mean anything. They have to be in tune with themselves when he’s playing in any given song.”
To solve the issue, Weber tuned the guitar in the fifth position and, as he says, “split the difference,” which left the high D-sharp string 14 cents flat but in tune with the other strings. “If I played one of Ed’s guitars the way that I play my own guitars, I’d sound like a blithering idiot. I’d be so out of tune,” Weber offered.” "