Why is the middle position so hated/useless?

JLR

Member
Messages
640
Not when used right on a LP. Great semi-clean setting is bridge 5-6, neck 4-5. For dirt bridge 8-10, neck 6. 50's wiring makes the difference with a good tube amp with proper speakers for the amp. Middle on strat is great for clean bright and tight rythem.
 

Simto

Member
Messages
5,137
One of my favourite tones is the middle position on a dual pickup guitar. I think the problem that can come from it is that position can sometimes have a "resonance peak" at a hz that can sound bad and in worst case be so piercing it hurts your ears a bit.
 

Jayyj

Silver Supporting Member
Messages
13,781
Hey, what?

Don't loads of people like the middle position? Who hates it? I feel out of the loop here.

I don't use the middle position on Gibsons a huge amount but on Rickenbackers it's pretty much my default, just go to the middle position then fine tune the tone with the blend knob.
 

JosephZ

Member
Messages
4,304
The middle position on duel HB guitars is the best position in my opinion. Glorious tones are possible there.

On a Strat specifically it’s a weird middle ground that doesn’t do anything particularly well except pick up some little idiosyncrasies that most players are not comfortable being picked up.

It’s most associated with Jerry Garcia and early Jerry recordings are a good example of the kinds of tones a Stratocaster middle position produces. It’s a very honest revealing tone, too much so for some players and even some styles. It’s a cool option but not a sonic space I like to live in personally. But I can definitely understand the appeal of the SSS middle position for those that do enjoy it.
 

Yr Blues

Member
Messages
3,154
The middle position on duel HB guitars is the best position in my opinion. Glorious tones are possible there.

On a Strat specifically it’s a weird middle ground that doesn’t do anything particularly well except pick up some little idiosyncrasies that most players are not comfortable being picked up.

It’s most associated with Jerry Garcia and early Jerry recordings are a good example of the kinds of tones a Stratocaster middle position produces. It’s a very honest revealing tone, too much so for some players and even some styles. It’s a cool option but not a sonic space I like to live in personally. But I can definitely understand the appeal of the SSS middle position for those that do enjoy it.
I dunno. It sounds weak for some reason. I play Strat-style guitars. It's like the middle child. Everyone talks about bridge and neck but rarely middle.
 

saltbird

Member
Messages
2,660
The middle position on two-pickup guitars is amazing but I've learned that on some guitars, it really has to be "dialed in."

What I mean by that is you set the height of either the bridge pickup or the neck pickup (depending on which one you use more) to where it sounds best, then set the height of the other pickup while in the middle position to find that sweet spot where they both sound amazing together.

JD Simo introduced me to this approach, specifically in regards to SH Telecasters, but I've found that it also translates well to other two-pickup configurations.
 

MoosBros

Member
Messages
630
I probably used the middle position on the strat years ago, but it's been that long ago since it's been my #1. It was was replaced with a guitar that had 3 volumes, and master tone control, no switch. The last while I've pretty much liked playing an Epiphone 335 with one volume, one tone control, and a switch. I'll use the middle sometimes.
 
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8,368
It always sounded … like … weird. :dunno
I think it depends on what you use it for. I know a lot of guitarists that basically never use it on its own but in combo with one of the other two.

What's funny with the middle pickup is that it's the bassier of the three why you may want to go with a really bright pickup here or, like EJ, remove the tone from it. EJ's approach obviously avoids engaging two tone circuits simultaneously in pos 2 and 4.
 



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